Pisa
Pisa, Italy

Climbing the Leaning Tower of Pisa in Tuscany

Everyone thinks they already know Pisa, and then they stand in front of it. Climbing the Leaning Tower of Pisa is the rare famous thing that is genuinely odd to experience in person, because the tilt is not something you look at so much as something you feel underfoot. Photographs flatten it. The staircase does […]

Italy 5 landmarks Tailored by Cartier World Travel

Everyone thinks they already know Pisa, and then they stand in front of it. Climbing the Leaning Tower of Pisa is the rare famous thing that is genuinely odd to experience in person, because the tilt is not something you look at so much as something you feel underfoot. Photographs flatten it. The staircase does not.

What surprises most Australians is how quiet the setting is compared with the postcards. The tower stands on a broad green lawn at the northern edge of the old city, alongside a cathedral, a baptistery and a walled cemetery, all in pale marble. It is a short, walkable pocket of Tuscany that rewards a couple of unhurried hours rather than a ten minute photo stop.

Why climbing the Leaning Tower of Pisa is worth the flight

The tower is the freestanding bell tower of Pisa’s cathedral, begun in the twelfth century on ground that was never going to hold it straight. The lean appeared early, builders tried to correct it as they went, and the result is a structure that curves slightly as it rises. Decades of engineering work have since stabilised it.

From directly in front, oddly, it barely looks crooked at all. You have to move around to the side before the angle declares itself, which is exactly what Sam Newman discovered while circling the lawn and complaining that from one spot it looked perfectly upright. Walk the full loop of the building before you queue. The lean reveals itself differently from every quarter, and at the base you can see the struts and excavation work that have gone into holding it where it is.

What the climb feels like

Inside, it is a stone spiral against the outer wall, and the tilt does the steering. On one side of the tower the lean tips you into the wall, and on the other side it pushes you away from it. The treads have been worn hollow on one side accordingly, polished by centuries of the same lopsided traffic, and the marble around head height is dark and grainy from hands steadying themselves.

Sam counted 251 stairs to the top, taken in stages, with the bell chamber arriving just when you have decided you must already be there. It is a real climb rather than a stroll, it is enclosed, and coming down is arguably the stranger sensation of the two. Anyone unsure about narrow spiral staircases or heights is better off enjoying the tower from the lawn, where the view of it is honestly the better one.

The reward at the top

The bell chamber is open to the air and hung with bells, and it looks straight down onto the roofline and dome of the cathedral. Beyond that you get the whole ordered sweep of the piazza, the city’s terracotta rooftops and the Tuscan flatland running off towards the coast. It is one of the few great monuments where the best view is of its own neighbours.

The rest of the Field of Miracles

The tower gets the attention, but the cathedral next to it is the reason the tower exists, and it is worth going inside. There is a dress code, as Sam found out on the way up, so shoulders need to be covered if you want to walk in rather than wait outside for whoever came dressed sensibly. A light scarf or shirt in your day bag solves it.

The piazza also holds a round baptistery and the long cloistered cemetery on its northern side, plus a modern sculpture on the grass that Sam attached an entirely invented backstory to on camera, involving an angel that supposedly toppled from the tower when the tilt began. Enjoy it as fiction. The real history of the place is strange enough without help.

Beyond the piazza

Most visitors never leave the lawn, which is a small waste. Pisa is a proper Tuscan university city with a working centre, a river cutting through it, arcaded streets and food that is priced for locals once you are a few blocks away from the monuments. Give yourself an afternoon and it stops being a stop on a list.

When to go and how Pisa fits a wider trip

Spring and autumn are the kindest, with mild days and thinner crowds, and they suit the climb far better than the heat of high summer inside a stone shaft. Winter is quiet and clear, which flatters the piazza. Whenever you go, tickets to ascend are timed and numbers in the tower are limited, so it needs to be locked into the day rather than left to chance.

Geographically Pisa is a gift. It sits close to the Tuscan coast, an easy run from Lucca, within comfortable reach of Florence, and its airport makes it a sensible entry or exit point for an Italian leg. That is how we like to build it for travellers: a night or two in Pisa so the tower is done properly in the morning light, then onward into Tuscany rather than doubling back. If you would like your own Italian itinerary shaped around the things you actually want to see, we would love to plan it with you.

In his own words

What Sam said

What I want you to notice when we go up the stairs is how they're all worn down to one side, where the building leans into. Sam Newman, on the ground
See it for yourself

Sam Newman in Pisa

Filmed on Sam's own trip through Europe, parts of which Cartier World Travel arranged.

On the map

Pisa laid out

What to see

Pisa, up close

Torre pendente di Pisa (Leaning Tower of Pisa)
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Torre pendente di Pisa (Leaning Tower of Pisa)

Icon and climb

The freestanding bell tower of the Duomo is the reason most people come, and the climb is the part that separates the visitor from the photographer. Two hundred and ninety odd worn marble steps spiral up a shaft that tilts under you as you go, which is genuinely disorienting, and the top gives you the whole Piazza del Duomo laid out below with the Apuan Alps behind. The surrounding grass, the Duomo and the Battistero make the ensemble far more impressive than the tower alone. It is small, so entry is by timed slot and numbers per slot are capped.

Book the timed climb online well ahead and take the first slot of the morning or the last of the day for low sun and thin crowds, no bags are permitted so use the free lockers by the entrance, allow 40 minutes for the tower and two hours for the whole piazza.

Camposanto Monumentale
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Camposanto Monumentale

Cloister and frescoes

The long marble cloister on the north edge of the piazza is the quietest and most moving thing in Pisa, built around soil said to have been shipped from Golgotha. Its walls carry vast fourteenth century frescoes including the Triumph of Death, damaged by fire in 1944 and returned to view after decades of restoration. Roman sarcophagi line the arcades and the light through the tracery windows changes hour by hour. Most tower visitors walk straight past the door.

It is covered by the combined Piazza del Duomo monuments ticket, go in the last couple of hours before closing when the coach groups have gone, and allow 45 minutes to walk the full circuit slowly.

Luminara di San Ranieri
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Luminara di San Ranieri

Annual festival

On the eve of the city patron saint's day, every window, cornice and balcony along both banks of the Arno is outlined with tens of thousands of candles in glass cups on white wooden frames. The street lighting goes off, the palazzo facades appear in flickering outline, and the whole thing is doubled in the river. It ends with fireworks over the water. This is Pisa at its absolute best and it is the one night the city belongs to Pisans rather than day trippers.

It falls on 16 June each year with the Regata di San Ranieri rowed the following day, so book a Lungarno hotel room or a restaurant table with river frontage many months out and plan to be in position before dusk.

04

Piazza delle Vettovaglie and Borgo Stretto

Market, food and drink

Two minutes from the arcaded shopping spine of Borgo Stretto, this colonnaded square is the real stomach of Pisa, a produce market by day and a student and local drinking square by night. Sit under the arcades for a spritz and a plate of Tuscan salumi, or track down cecina, the chickpea flour flatbread that Pisa does better than anyone. The surrounding lanes hide the trattorie that locals actually book. It is a five minute stroll from the tower and a different city entirely.

Come mid morning Monday to Saturday for the stalls at their fullest, then return around seven in the evening for aperitivo, and allow a couple of hours across the two visits.

05

Santa Maria della Spina and Tuttomondo

Riverside walk and hidden art

Almost nobody who does the tower bothers with the south bank, which is where Pisa keeps two of its best surprises. Santa Maria della Spina is a jewel box of a Gothic church on the river wall, all pinnacles and marble tabernacles, built to hold a thorn from the Crown of Thorns and moved stone by stone to higher ground in the nineteenth century. Ten minutes east, on the blank wall of the Sant'Antonio Abate convent, is Tuttomondo, the last mural Keith Haring painted before his death. Between them you get the full Lungarni walk with its ochre palazzi.

Santa Maria della Spina keeps short and seasonal opening hours so check on the day, walk the pair late afternoon when the west light hits the river facades, and allow 90 minutes at an easy pace.

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